The first stage is the production of the full size working drawing (cartoon). I use this drawing as a template
The clear glass is then cut to size. |
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The paint in powder form is poured out onto a palette.
The gum arabic (binder) is added to the paint and mixed thoroughly |
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Now the (vehicle) water, alcohol, oil or white vinegar can be added and thoroughly mixed.
Paint the highlights and details then kiln fire at 1200F degrees. |
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| I add shading by covering the whole piece with stain, this process is known as matting, blend the color by using a soft badger hair brush. I then remove areas I want lighter using a hard bristle brush called a scrub and sharp wooden sticks to bring out the finer lines and details. I then kiln fire each layer separately. |
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| This process is often repeated several times before the desired effects and skin tones are achieved. |
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After I get the desired results, I will kiln fire it again at 1200 degrees.
I continue to add and remove the shading until I get the correct skin tones, this takes several layers of stain and several separate firings. |
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| The pieces are now ready to be incorporated in the stained glass window. |
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